BOOK REVIEWS: SUSAN COCALIS
MISCELLANEOUS JOURNALS
Arbitrium:
B. Becker-Cantarino, ed., Die Frau von der Reformation zur Romantik: Die Situation der Frau vor dem Hintergrund der Literatur- und Sozialgeschichte (Bonn: Bouvier, 1980). [Vol. I, No. 1 (1984), pp. 177-79]
Colloquia Germanica:
R. Selbmann, Theater im Roman: Studien zum Strukturwandel des deutschen Bildungsromans (Munich: Fink, 1981). [Vol. 17, No. 1 (1984), pp. 144-46]
M. Fick. Sinnenwelt und Weltseele: Der psychophysische Monismus in der Literatur der Jahrhundertwende. Tübingen: Niemeyer, 1993. 393 pages. [Vol. 29, No. 2 (1996), pp. 182-4]
Modern Language Review (England):
*H. Kraft, Ein Haus aus Sprache: Dramatikerinnen und das andere Theater (Stuttgart: Metzler, 1996).
Germanic Review:
Germanic Review
L. Sharpe, Schiller and the Historical Character (Oxford: University Press, 1982). [Vol. LIX, No. 2 (Spring 1984), pp. 79-80]
E. Hoshino-Altbach, Jeanette Clausen, eds., German Feminism: Readings in Politics & Literature (Albany: SUNY, 1984). [Vol. LXII, No. 1 (Winter 1987), pp. 46-47]
J. Prandi, Spirited Women Heroes: Major Female Characters in the Dramas of Goethe, Schiller and Kleist (NY/Fft/M: P. Lang, 1983). [Vol. LXI, No. 2 (Spring 1986), pp. 79-80]
Modern Drama:
P. Buschenhofen, Switzerland's Dramatists in the Shadow of Frisch and Dürrenmatt: The Quest for a Theatrical Tradition (Berne: Lang, 1984). [Vol. XXX, No. 3 (Sept. 1987), pp. 439-40]
I. Walther, The Theater of Franz Xaver Kroetz (New York: P. Lang, 1990 and R. Usmiani, The Theatre of Frustration: Super Realism in the Dramatic Works of F.X. Kroetz and Michael Tremblay (New York & London: Garland, 1990). [Vol. 37, No. 2 (Summer 1994 ), pp. 369-71]
H. Schmidt, How Dramas End: Essays on the German Sturm und Drang, Büchner, Hauptmann, and Fleisser (Ann Arbor: U Michigan P, 1992). [Vol. 38, No. 2 (Summer 1995), pp. 276-77]
L. Hart & P. Phelan, Acting Out: Feminist Performances (Ann Arbor: UMichigan P, 1993). [Vol. 38, No. 4 (Winter 1995), pp.530-32]
M. Mattson, Franz Xaver Kroetz: The Construction of a Political Aesthetik (Oxford/Washington, DC: Berg, 1996). [Vol. XL, No. 3 (Fall 1997), pp. 429-30]
German Studies Review:
G. Scholz-Williams, Defining Dominion: The Discourses of Magic and Witchcraft in Early Modern France and Germany (Ann Arbor: U Michigan P, 1995). [Vol. XX, No. 2 (May 1997), pp.319-21]
W.E. Yates, Nestroy and the Critics. Columbia, SC: Camden House, 1994. [Vol. XX, No. 3 (October 1997), pp. 451-2]
Seminar:
N. Berman, Orientalismus, Kolonialismus und Moderne: Zum Bild des Orients in der deutschsprachigen Kultur um 1900 (Stuttgart: M&P Verlag, 1996). [Vol.34,no.3 (Sept. 98), pp.327-9.
Goethe Yearbook:
*A. Kuzniar, ed., Outing Goethe and His Age (Stanford: Stanford UP, 1996).
Revue Belge de Philologie et dHistoire:
S. Corngold, M. Curschmann, T. Ziolkowski, eds., Aspekte der Goethezeit (Göttingen: Vandenhoeck & Ruprecht, 1977). [Vol. LXI (1983), No. 1, pp. 650-53]
Unterrichtspraxis:
E. Rütschi Herrmann & E. Huttenmaier Spitz, eds., German Women Writers of the Twentieth Century (Oxford/NY: Pergamon, 1978). [Vol. XII, No. 1 (Spring 1979), pp. 106-07] (with K. Goodman)
JEGP:
F.N. Mennemeier & E. Fischer-Lichte, eds., Drama und Theater der europäischen Avantgarde (Tübingen & Basle: Francke Verlag, 1994). [Vol. 96, No. 3 (July 1997), pp. 425-7]