MOVIES: A LANGUAGE IN LIGHT
by Richard L. Stromgren and Martin F. Norden
Englewood Cliffs, NJ: Prentice-Hall, 1984
ISBN 0-13-604307-0 296 pages
In their Preface the authors quote Stanley J. Solomon: "All artists
manipulate their material and thereby, to an extent, their audiences --
not to mislead them, but to emphasize areas of importance. But audiences
have a responsibility to themselves of intellectual awareness, a need to
evaluate not only the effects of the art experience but the procedures
and techniques that the artist uses to achieve his purposes."
This book is about that responsibility.
What is it that we find entertaining, educating, or enlightening? This
book shows us how to learn more about the structured images and the
directorial intent behind these images. It helps us identify, define,
and analyze film form and function, the keys to the focus and scope of
this work.
Among its features, the book:
- introduces the historical underpinnings of the realist and formalist
traditions in film
- focuses on aspects related to the camera such as visual composition
and movement
- combines editing and sound as post-production considerations
- compares film with other narrative media
- discusses the growth and development of film theories and methods of
film criticism
"Although through 24 years of teaching television and film I have flirted
with Giannetti and others, I still think the best basic film grammar text
for mass communication students is Movies: A Language in Light by
Richard Stromgren and Martin Norden. . . I use this fine book as an
outline -- and inspiration -- for many of my lectures." --Ralph Donald,
Professor and Chair, Dept. of Mass Communication,
Southern Illinois University at Edwardsville
CONTENTS: Preface; An Evolution in Film Form and Function; Composition and Movement; Editing and Sound; Setting and Actor; Film as
Storytelling; Narrative Patterns and Genre Traits; Film and Literature;
Film and Theater; Film and Television; Documentary Forms; Avant-Garde
Films; Film Theories and Critical Methods; Bibliography; References;
Index.
RICHARD L. STROMGREN is retired as an Associate Professor of
Communication at the University of Massachusetts-Amherst, USA. His
co-authored book Light and Shadows: A History of Motion Pictures
(Palo Alto, CA: Mayfield, 1987) has been widely adopted as a film-history text.
MARTIN F. NORDEN teaches and writes about film as a Professor of
Communication at the University of Massachusetts-Amherst. His articles
have appeared in such journals as Film & History, Film
Criticism, Journal of Film and Video, Paradoxa, and
Wide Angle, and in numerous anthologies. His books include The Changing Face of Evil in Film and
Television (Amsterdam: Editions Rodopi, 2007), The Cinema of
Isolation: A History of Physical Disability in the Movies (New
Brunswick, NJ: Rutgers University Press, 1994), and John
Barrymore: A Bio-Bibliography (Westport, CT: Greenwood Press,
1995). His most recent books are Lois Weber:
Interviews (Jackson: University Press of Mississippi, 2019)
and Pop
Culture Matters: Proceedings of the 39th Conference of the Northeast
Popular Culture Association (Newcastle-upon-Tyne: Cambridge
Scholars Publishing, 2019).
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