PRAISE FOR MARTIN F. NORDEN'S THE CINEMA OF ISOLATION: A HISTORY OF PHYSICAL DISABILITY IN THE MOVIES


"I enjoyed this book from its terrific title to its skillful interweaving of movie history with disability history. . . . [It] makes a valuable contribution to our understanding of where America gets its myths and stereotypes of disability." --Joseph Shapiro, author of No Pity: People with Disabilities Forging a New Civil Rights Movement

"Offers an historically detailed examination of how Hollywood has depicted the physically disabled experience. . . . Thoughtfully argued and well documented. . . . Anyone interested in how mainstream movies have shaped our images of the world ought to carefully read this fine book." --Douglas Gomery, author of The Hollywood Studio System

"[Norden's] scholarship, documentation, sociological observations and psychological insights make this one of the very best specialized books on American movies." --Choice

"Film Professor Martin F. Norden sets out a scholarly, but by no means stuffy, survey of the portrayal of physically disabled characters in mainstream American cinema over the last hundred years. Norden sees cinema images of disability as reflecting society's view of disabled people, and believes all disabled characters are shaped by the isolation of disabled people as a group in society. These films then make their own contribution to perpetuating and reinforcing that isolation. The book spans from the early days of film with 'wonderful' titles like The Invalid's Adventure and The Cripple's Marriage, through to recent blockbusters with better titles, like The Fugitive, but not necessarily better images. There is a danger with this type of book that it read like a long list, but Norden gives clear, readable accounts of the films he discusses, and his attention to detail gives a lively feel. . . . As a history the book works well and will be enjoyed by anyone with a general interest in disability and film." --Disability Now

"I was unprepared for how provokingly good the [book] would be. . . . America's 43 million disabled citizens deserve the kind of careful scholarship that The Cinema of Isolation offers." --Democratic Communique

"Norden's study is the first of its kind and is justifiably wide in scope. It will be a valuable frame of reference for researchers, filmmakers, and anyone interested in social justice and physical disability issues." --Cinema Guide

"This heartfelt treatise provides an invaluable assessment and supercedes the pioneering Disability Drama in Television and Film . . . Highly recommended." --Library Journal

"[The book] validates our feelings about the movies. . . . The author shows us the parade of saintly sages, holy innocents, Tiny Tims, and inspirational crips that have flickered across the screen since the days of the silent movies. The 375-page volume will prove an indispensable reference." --Mainstream Magazine

"Norden, with considerable skill and entertainment, clearly shows the derogatory road that images of disability have gone down . . . It should be compulsory reading for all film-makers, critics and scholars . . . It's a must." --Link

"A forcefully argued examination of Hollywood's neglect or inaccurate treatment of the physically disabled." --Wilson Library Bulletin

"Norden's book . . . shows a grasp of the complexity of disability imagery that is both sophisticated and intelligent, and it is firmly rooted in an astutely academic ability that has combined analysis with clarity. . . . I unreservedly recommend--insist--that all scholars of disability and film, both student and tutor, order this book." --Disability and Society

"It is a masterful history: executed with a high degree of awareness, sophistication and eclecticism. The vast range of reading that has gone into the book makes it a joy to read from beginning to end. That it is not short on humour helps it become, what I would consider, the best piece of in-depth work on the image of people with disabilities in the movies." --Disability Arts Monthly

"A comprehensive, well-written history of the depiction of people with physical disabilities in the movies. . . . Lively, clearly written, and provocative . . . an indispensable resource for academics, film buffs, and civil rights advocates." --Civil Rights Journal

"Meticulously researched and thoughtfully analyzed . . . Norden has done a service in bringing these images and this film history to light." --Journal of the Association for Persons with Severe Handicaps

"Provides an honest and entertaining documentation of the evolution of how people with disabilities are portrayed in the movies . . . informative and lively . . . will prove invaluable to film aficionados, people with disabilities and scholars." --One Step Ahead

"[Offers] a great deal of insight into the roots of the basic archetypes of disability in movies. . . . Norden is also able to interweave his extensive knowledge of film history with a solid knowledge of the history of disability policy and activism in America." --The Disability Rag

"Quite simply a standout. . . . awesome . . . I will write little without it." --Disability Studies Quarterly

"Finally, someone has chronicled how the film industry has portrayed us, people who have disabilities, in the movies . . . Oh, how I wish I'd had this book when I was going to university." --It's Okay!

"This encyclopedic survey of one hundred years of films featuring the disabled is interesting and informative . . . Norden illustrates different disabled archetypes using familiar and not so familiar movies, actors, directors, and screenwriters." --Bulletin of the History of Medicine

"It is a thoroughly researched book, with extensive coverage on early silent films which have received only minimal, if any, coverage in film history books currently on the market. . . . Any silent film historian, no matter how knowledgeable, will be able to learn quite a few interesting new facts on silent cinema in The Cinema of Isolation." --The Silents Majority: The On-Line Journal of Silent Film

"The Cinema of Isolation is a splendid example of committed scholarship which blends methodological awareness and scholarly detail with ethical passion. . . . Norden has produced a work which fuses insight, commitment, and scholarship. It is a delight to read and should serve a variety of audiences -- scholars, the handicapped, and even filmmakers. Cinema of Isolation is a model work for popular culture studies." --Historical Journal of Film, Radio and Television

Go to Marty Norden's Home Page