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A Student
I am always looking for interesting new ideas and
consider myself a student of humanity and nature (I use this
Enlightenment dichotomy with some trepidation). I used to study
the brain for a living but my interests have gradually
shifted towards politics and social justice. I now spend
more time thinking about what it means for civilizations to "progress"
and "develop". I consider the modern, industrial-consumerist lifestyle
violent and unsustainable and would like to try and live more simply.
My childhood and teen years were earned in Bombay’s suburbs,
first Borivali (until the age of ten) and then Andheri. I played
cricket in the gullies (stumps drawn with red brick on the wall,
money contributed for shattered glass windows, irate aunties refusing
to hand the ball back and suchlike), visited my maternal grandparents
in Nagpur during the long, hot summer vacations, celebrated Happy
Birthdays with cake and wafers (a.k.a potato chips for those who
have left their Indian childhood for American freeways) and read
Hardy Boys, the Panchatantra, the S.Chand series of abridged European
classics, the Ramayana and the Mahabharata in translation and later
the potboiler biographies of Isaac Newton and Albert Einstein along
with the popular science of Stephen Hawking and John Gribbin. Apart
from the school syllabus I read in no other language but English,
a fact that I rue and remedy today.
My first step in the larger world, so to speak, was when I finished
my Bachelor’s degree in Microbiology and by a small miracle
ended up being admitted to the Masters by research program offered
by the Molecular Biology Unit (now Department
of Biological Sciences)
of the Tata Institute of Fundamental Research. Thereafter smitten
by the biology research bug I decided to do a PhD in Neurobiology
with the full intention of finishing up somewhere as a Professor
of Neuroscience or something like that. But unbeknownst to me larger
forces were at work and nature sneaked up behind me with a bit
of lead piping, as Bertie
Wooster might have said. By the time
I finished a dissertation on the neurophysiology of
the mammalian visual system, I had moved
on to a place (in my thinking) that made it impossible for me to
continue on in the field.
"He who has seen only India, has not India seen."
There
is an Indian aphorism, "he who has seen only India, has not India
seen". At the age of 23 when I first left India,
I had seen nothing but India. Like many middle-class, city bred
Indians, as I grew up I had become inured and insensitive to its
problems. I came to America to become a scientist, to pursue a
childhood dream. Being here for the past six years I have learnt
much about India and about myself. While I started my PhD thinking
that I would do research in Neuroscience as a career, most likely
in the US, I am now certain that I would eventually like to work
in India in a more socially conscious capacity.
Despite being involved in basic research for nearly eight years
(see ‘academic background’ below), I have been increasingly
interested in social causes. About three years ago I began volunteering
in my spare time with the Association
for India’s Development, a US-based non-profit
that supports developmental projects carried out by non-governmental
organizations
(NGOs) in India. My volunteer experience with AID included coordinating
two projects, one supporting an education program for underprivileged
children in government-run remand homes in Maharashtra and the
other project supporting the activities of a union of landless
agricultural laborers in Andhra Pradesh, a state in southern India.
Through this experience I have understood better (but only slightly)
the inextricably intertwined processes of “modernization” and “development”.
My decision to quit Neuroscience and start afresh in Economics
stems from a desire to acquire a more systematic knowledge of the
economics, the history and philosophy behind such massive changes
that affect millions of people the world over. A fortuitous combination
of events landed me in the Economics department at the University
of Massachusetts, where I am currently in the middle
of yet another PhD.
Academic background
I received my undergraduate degree in Microbiology
from Bhavan’s
College, Bombay University. After this I went on to do research
in Molecular Biology at the Tata
Institute of Fundamental Research (TIFR) in Bombay.
I worked in the laboratory of Prof.
K.S. Krishnan in the Department of Biological
Sciences. My research focused on understanding the process of synaptic
transmission (how neurons
communicate with each other in the brain) at the molecular level
using the fruit fly as a model system. My work has also become
part of two peer-reviewed papers in scholarly journals (Sanyal
et al 1999 and Sanyal et al 2004, see my CV for full citations).
My doctoral research (advised by Prof.
David Fitzpatrick at the
Department of Neurobiology,
Duke University) focused on how animal brains process sensory information.
My work has expanded (but only
slightly!) our understanding of how different types of visual features
are integrated in the electrical activity of visual cortical neurons.
These results were published in the journal, Nature (Basole et
al 2003). A second chapter of my dissertation was published in Progress in Brain Research in the year 2007. You can find a more detailed description of my
Neuroscience research at this
link.
Cover Art: Churchgate Station, Bombay-- Sebastião Salgado
I find this photograph taken by Brazilian economist, turned photographer,
Sebastião Salgado captivating and emblematic. The photograph
is one of a series of pictures taken by Salgado around the world.
The series is titled ‘Migrations’ and each photograph
is a striking moment of masses of humans on the move, captured
on film. While some migrations are more “one-time” or
long-wave, in that they are constituted of refugees moving to
newer territories (recalling to mind the human two lane divided
highway between newly-formed India and Pakistan in 1947), this
particular photo of Churchgate station is all the more evocative
for the endless, short-wave migration (a.k.a commuting) that
is depicts.
Blurring has been used here to achieve two great effects, one
to indicate a sense of motion, of ebb and flow, and the other
to suggest
a blurring of individual identities, into one common “urban
fate”. While large masses of people blurred in motion is
probably not a quintessentially Modern phenomenon (I imagine armies
riding into battle or pilgrims congregating in Kashi or Mecca would
have made equally spectacular subject for Mr. Salgado’s lens
in the earlier times), the location and the spirit of the photo
oozes Modernity. A commuter-rail station landscape suggests a modern,
alienated, urban lifestyle, where (literally) rubbing shoulders
with a new
stranger everyday is not only not news, it is so utterly commonplace
and banal as to hide the fact that it represents a very unlikely
event in humankind’s 40,000 years or so of domesticated history.
One might argue, at this point, that any old picture of the thronging
masses in Bombay (or Mexico City or Jakarta or…) would invoke
the same metaphors. While this may be true, this particular photo
has a stark and simple symmetry and most importantly it has a sense
of order, amidst the chaos that Churchgate Station can be at 9
in the morning or 5 in the evening.
A word with the surfer
Thank you for visiting my site! If anything you read here moves
you to agree or to disagree and moves you enough to tell me about
it, I would love to hear from you. My email address is listed under
"Contact Information". Unlike a painting or a published
piece of writing that is finished when it is finished,
a website
is an
evolving entity. It changes as its creator experiences life and
himself or herself also changes. On quite a few pages you will
find minimal content. This is mostly a place-holder until I find
the
time to
replace it with something more substantive. I
hope that the resources posted here (in the
form of web-links or article references etc) are of use
to
some. As regards my own writing to be found online, if you feel
the need to quote it anywhere I only ask that you acknowledge the
source
by citing this URL (www.people.umass.edu/abasole). I am deeply
grateful to Shilpi
Suneja for creating a beautiful design, far
more pleasing to the eye and spirit than I, left to my own devices,
could have manged.
Contact Information
Amit Basole
Department of Economics,
Thompson Hall,
University of Massachusetts,
Amherst, MA 01003
Email: abasole@gmail.com
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